Two Dancers in Search of a Plot

The question whenever a new dance ensemble is formed is always: why? What does it hope to achieve? Of course it makes sense when a choreographer decides to form a troupe, a laboratory in which to develop his or her ideas (

Marina Harss is a translator and dance writer in New York City. Recent translations include Elisabeth Gille’s ”The Mirador” and Alberto Moravia’s ”Two Friends.” Her dance writing has appeared in The N more


Follow Us